Directors are the ones who really know where a series is going and where they want to take it. Openings always play an important part in putting across the series, it’s characters, events, emotions and a whole host of other things that the directors want us to know. Or it just gives the director a chance to be crazy as hell. But with the former, as a series moves into its second or third opening, the change in the music, tone and style easily helps us understand where the series is going from now on. As such, although the second opening of Durarara and the fourth opening of FMA don’t get me as excited as the previous ones, they convey well the directional shift for both series. (more…)
Grand Punk Railroad 